Music from Wind & Ember Studios
Songs from a real story.
Original music written and recorded through Wind & Ember Studios. Each song carries its own story — released here when the recording, the rights, and the presentation are ready.
Released
Out nowBeautifully Blessed to Be Broken
2 versions available
“Beautifully Blessed to Be Broken” lives inside a contradiction I have come to understand more as I’ve gotten older: sometimes the thing that breaks you is also the thing that finally opens you. Brokenness is not beautiful because pain is beautiful. It becomes beautiful when something is rebuilt inside it — humility, faith, compassion, surrender, gratitude or the ability to see another hurting person differently. The song comes from that space between falling apart and discovering that God can still work with what remains. The Garage Grace Sessions version carries that same message in another presentation — less about polishing away the cracks and more about letting the cracks remain part of the testimony.
Out nowDidn't Want to Leave
2 versions available
There are seasons when you can spend years moving without realizing how tired you have become. “Didn’t Want to Leave” came from the collision between hunger, ambition, regret, faith and the realization that some of the things we chase cannot give us what we thought they would. The song admits the contradiction instead of cleaning it up: “I wanted the crown but resisted the weight.” It moves from searching for love and purpose in the wrong places toward the cross, redemption and the possibility of breathing differently. At its heart, it is not a song about arriving. It is about realizing you were being called home before you even knew how far you had wandered. The Live Version lets that testimony stand in the open rather than treating it like something that has to be hidden or perfected.
On the way
ComingFits of the Faithful
"Fits of the Faithful" was born from my journals—especially the idea I've written about as "life is like last night"—and from an older song I wrote but never released called "Meet You to Reach You." Both were wrestling with wounded people. The exhausted. The restless. The ones trying to hold onto faith while life doesn't look particularly faithful back. But "Fits of the Faithful" began to feel like something different. It became heaven's response. Not an accusation toward the wounded and weary, but a call to them. A reminder that God isn't waiting somewhere on the other side of perfection for broken people to finally get themselves together. He meets people where they are. The old idea was meet you to reach you. This song carries that forward as a call to those still fighting, stumbling, questioning and getting back up. The fits don't necessarily mean you've lost your faith. Sometimes they're evidence that you're still fighting to hold onto it.
ComingOne More Day
"One More Day" is where all of this really started. I left church one Sunday and the chorus came to me. As I prayed through what had arrived, I began to understand the song wasn't simply about wanting another day. It was about the cave. There are seasons when being hidden away with God becomes strangely precious. The noise gets quieter. The striving starts falling away. You become aware of the Spirit in ways you may have missed while running through ordinary life. And eventually comes the difficult part: You have to leave. Part of you doesn't want to. The cave has become close, quiet and safe. But what happens there isn't supposed to leave you afraid of the world outside it. It's supposed to give you the confidence to walk back into it. "One More Day" became the beginning of Wind & Ember's musical journey because it captured that moment: close to God, reluctant to leave, but beginning to believe I could.
ComingMy Battle Cry Is Love
For years the phrase “my battle cry is love” has represented something deeper to me than being nice or avoiding conflict. Love can be resistance. Love can be strength. Love can be the decision not to become what wounded you. For a follower of Jesus, the battle is not won by becoming louder, crueler or more bitter than whatever stands across from you. The challenge is learning to stand firmly in truth without surrendering love. “My Battle Cry Is Love” grew from that conviction. The River Testimony Session carries it as testimony rather than slogan: this is not something I claim to have mastered. It is something I am trying to learn how to live.
ComingBeast on the Run
2 versions available
The "Never Retreat" version takes the heart of "Beast on the Run" one step further. The cave was necessary, but it wasn't home. There comes a point when what was being built privately has to walk back into the world. You don't leave because you're suddenly fearless. You leave because you've recovered enough faith, purpose and confidence to move forward anyway. This is the battle-ready side of the song. It's still rooted in the hip-hop I grew up loving—the swagger, rhythm and Saturday-night energy—but now that swagger carries something it didn't carry before. You went into the cave one person. You're coming out ready to fight for what matters.
ComingMaybe It Mattered
“Maybe It Mattered” came out of looking backward at years that did not always seem connected while I was living them. There were restless years. Wild years. Years spent trying to matter, trying different rooms, careers, ministries, ideas and versions of myself. There were seasons that felt productive and seasons that felt wasted. The question behind the song is simple: what if some of the things we thought were wasted were still forming us? It doesn’t pretend every mistake was necessary or every road was right. It asks whether grace can take even the wandering parts of a life and make something useful from them. Maybe the years mattered. Maybe the people mattered. Maybe even the scars have something left to say.
ComingSmooth Ol' Originator
2 versions available
This song came from wanting to give my daughter a small piece of the ’90s that raised me as she headed into her first homecoming. That era had swagger, humor, scratches, drums, ridiculous confidence and music that could make an entire room move. “Smooth Ol’ Originator” plays with all of that while still sounding like something made now. There’s no heavy sermon hiding underneath this one. Sometimes the memory itself is enough. Sometimes you make something because it makes you smile and because you want the next generation to feel a little bit of what made your generation move.
Hear the next one first.
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